I have developed routes that takes into consideration different designs and situations, in which I establish a temporal structure marked by experiences of time. Guided processes in space-time are embracing by reflections on the on-going site-specific and site-oriented practices. In this, walking is a ‘de-materialised’ sculptural practice, which establishes an interface with the environment by concentrating actions on the body. By inserting my body into the environment during a walking, I observe temporal factors intercepted with cultural visions and the works are set within oriented structures of time connected by experiences acquired. The meaning of this temporal relation and its intervals is observed through fluctuations in my works. Besides the inner time I looking for a second time element. The second time element is absorbed from the environment and builds a temporal structure with two temporal references working together. This notion has helped me to draw on temporal scheme and organise works.
